They allow the user to: start the rhythm/accompaniment as soon as you touch the keyboard, start/stop the rhythm, and finally create a brief introduction, or finish in style with an automated ending. While the first four are self explanatory, the fifth slider allows you to choose the way your keyboard is set up: you can have the full keyboard dedicated to one sound, with no left side auto-accompaniment, or you can set up two types of accompaniment, and the Casio chord feature (a simplified auto-accompaniment, where you press two keys and you get complex chords – useful for beginners).Ĭontinuing to the right, there are three red buttons: these are the Synchro/Fill-In, Start/Stop, and Intro/Ending controls. Following to the right there’s a series of five sliders: Power on/off, Main Volume, Accompaniment Volume, Rhythm Volume, and Chord type. Under the Casio logo lays a green and white message: “Pulse Code Modulation” – this is to remind us that the CT-370 is based upon PCM samples. Two (one on each side) would have been better, but there are many other Casio models that are stereo. To the left of the panel we find a single speaker. The CT-370 can be powered via DC adaptor, or by six D-size batteries. Like all members of the Casiotone family, this instruments features many sounds and auto-accompaniments. The Casio Casiotone CT-370 is a light, portable, but surprisingly sturdy, well-built keyboard produced during the late 1980s.
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